Art as Activism | Film Screening

Art as Activism

a BAM series in which art and artists bring societal concerns to light through the arts


 

Sing Sing Film Screening at The Flicks
Film Screening (1 hr. 47 min.) and Discussion

Monday, November 3, 2025
4:30 p.m. – 6:30 p.m.

The Flicks | 646 Fulton Street, Boise, ID 83702
Ages: Adults
Tickets are limited to seating capacity. Advance purchase required.

Supported by a grant from the Art Bridges Foundation

Join us for a film screening of the 2023 prison drama Sing Sing in conjunction with the exhibition on display at the Boise Art Museum, Julie Green: The Last Supper.

Sing Sing is based on the true story of a prison theatre arts program that was transformational for a person who was wrongfully imprisoned for a crime he did not commit. The theatre arts program gave his life meaning during the time he was incarcerated.

The movie centers on the real-life Rehabilitation Through the Arts (RTA) program at the maximum security prison, Sing Sing, and a group of incarcerated men who created theatrical stage shows through the program. It stars professional actors Colman Domingo, Sean San José, and Paul Raci, alongside many formerly incarcerated men who were alumni of the RTA program, including Clarence “Divine Eye” Maclin and Jon-Adrian “JJ” Velazquez.  The film closes with real footage from the RTA program at Sing Sing, featuring the real actors who portrayed themselves in the film.

A discussion will follow the screening, with panelists Dr. Greg Hampikian, Bruce Livingston, and Michael Richardson.

Dr. Greg Hampikian

Dr. Greg Hampikian was professor of Biology and Criminal Justice at Boise State University  for 20 years and directed the Idaho Innocence Project. He is now president of CompGenomics and works on forensic DNA cases across the U.S. and overseas.  He is an adjunct professor at the University of Idaho College of Law, and his lab pioneered the use of forensic genealogy for exonerations.  Hampikian’s casework has been featured in Science, on the BBC, CNN, and Dateline.  His book Exit to Freedom with exoneree Calvin Johnson, Jr., chronicles Mr. Johnson’s 17-year fight to prove his innocence using DNA.  Hampikian helped establish innocence organizations in France and Ireland, and has served as a DNA expert in more than 40 exonerations, including Amanda Knox (Italy), Kerry Robinson (with the Georgia Innocence Project), and Christopher Tapp (Idaho) and Charles Fain (Idaho).  In both Idaho cases, his lab worked with police to identify new DNA genealogy matches that led to arrests decades after the crimes.  His New York Times Op-eds include “The Dangers of DNA Testing,” “When May I Shoot a Student?,” and “Men Who Needs Them?” In addition to forensics, Hampikian’s research and patents cover COVID-19, HIV, cancer, and foundational work on DNA sequences absent in nature, called Nullomers.

 

Bruce Livingston

Bruce Livingston is a recently retired lawyer, who appreciates art and music, even if his ability to perform in the creative arts is sadly lacking.  He grew up in Oberlin, Ohio, and obtained an undergraduate degree from Duke University, and a law degree from Washington University in St. Louis, Illinois.  Between college and law school, he once audited an Italian Renaissance Art class at Oberlin College, but, truth be told, his objective was as much about meeting Oberlin students as it was about the art itself.  Upon passing the bar exam in 1984, Bruce practiced law at a large corporate firm in St. Louis, developed some appellate law expertise, and took two cases to the Supreme Court of the United States, where he argued one of them.  When his firm decided to take on the last appeal of a Missouri death row inmate, his appellate experience led his firm to assign the case to Livingston, which led to another case, and then another. Those three cases all had something so dramatically wrong with them that Livingston shifted positions – from being ambivalent about the death penalty to opposing it in all cases.  In 1997, he left a lucrative, corporate-litigation practice and took the opportunity to move to Idaho and work exclusively on the last appeals of Idaho’s death row inmates for the next 25 years in the local Capital Habeas Unit of the Federal Public Defender.  Many of his clients engaged in artistic endeavors over the course of their time in prison, and Livingston can speak to the importance of the arts to them.

 

Michael Richardson

Originally from Vermont, Michael Richardson is a writer, visual artist, and web developer.  As an undergraduate, back in the 1980s, he had the chance to teach drawing and sculpture classes to men at Cheshire CI, a prison in Connecticut.  A few years later, while studying for his MFA in creative writing at Sarah Lawrence College, he co-led a writing program for incarcerated women in upstate New York. In 2021, he founded Idaho Prison Arts Collective, a non-profit that has brought arts programming to incarcerated people in Idaho – classes like writing, dance, painting, music, coding, and mindfulness.  He teaches coding and creative writing at the Idaho State Correctional Center, a men’s prison in Kuna.

Sing Sing Tickets

General & BAM Member – $10 (includes 1 drink voucher)

or call 208.345-8330 x110

Advance tickets are required. No tickets will be sold at the door.
Tickets are in the form of a will-call list at the door.
Tickets for this program are non-refundable.

About the Exhibition

Julie Green: The Last Supper features nearly 1,000 hand-painted ceramic plates, illustrating the final meal requests of people on death row in the U.S.  The exhibition encourages viewers to consider the U.S. prison system and the way we think about those who are within it. By linking us together through our basic need for food, artist Julie Green sparks a human connection and opens our hearts and minds to individuals in our society who are often disregarded and forgotten.  The artist invites people to consider our criminal justice system and societal norms while surrounded by the large installation of hand-painted ceramic plates. Julie Green’s artwork is an example of art as activism.

Organized by the Boise Art Museum

Generously loaned by Crystal Bridges Museum of American Art as part of Art Bridges’ Partner Loan Network

Grant support provided by Art Bridges Foundation

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